Jennifer Murvin is the author of She Says (Harbor Editions), False Alarm (GreenTower Press), and Real California Living (forthcoming from Braddock Avenue Books March 2026).

Contact: jenmurvin@gmail.com

Jennifer Murvin is a writer and professor. Her chapbook She Says is available now from Small Harbor Publishing, her nonfiction graphic narrative chapbook is available from GreenTower Press, and her collection Real California Living is forthcoming from Braddock Avenue Books in 2026. Her essays, stories, and graphic narrative have appeared in Fourth Genre (Winner of the 2024 Multimedia Essay Prize), CRAFT, Hayden’s Ferry Review, Longleaf Review, the anthology And If That Mockingbird Don’t Sing: Parenting Stories Gone Speculative (Alternating Current Press), River StyxThe Southampton ReviewThe Pinch, Anomaly, december magazineDIAGRAM, The Florida ReviewCatamaran Literary Reader, Indiana Review, CutBank, Post RoadAmerican Short Fiction (2015 - Winner of the American Short(er) Ficton Contest, judged by Stuart Dybek), Phoebe, The Sun, Mid-American ReviewMidwestern GothicBellingham ReviewCincinnati ReviewBaltimore ReviewHuizache, and other literary journals.

Jen is an Associate Professor of English and Assistant Department Head at Missouri State University (2009-present), where she teaches creative writing in the areas of fiction, nonfiction, graphic narrative, form and theory of prose, literary publication, and literature. She is also a faculty member at the Solstice Low-Residency MFA in Creative Writing. She teaches for the nonprofit community writing workshop River Pretty Writers Retreat held twice annually in Tecumseh, Missouri. Jen holds an MA in English from Missouri State University and an MFA in Creative Writing from Pacific University in Forest Grove, Oregon.

Jennifer Murvin is available as a visiting writer for readings, craft talks, and workshops. Her genres include fiction, nonfiction, and graphic narrative. She has been a visiting writer to several universities, high school arts programs, and community writing groups/arts organizations.

Page 1 of “Eclipsed,” graphic essay published in The Nashville Review, 2025